Tuning a Violin: The Best Ways To Keep Your Violin Sounding Fantastic

All stringed instruments need to be tuned on a regular basis. Pianos, guitars, harps, and especially violins all can get out of tune. Because the strings are so fine and subject to stretch during use, most experts recommend tuning a violin each time you take it out of the case to play it. IF you are playing it for long periods of time, you may need to re-tune it.

The violin has four strings known as the "G" string, "D" string, "A" string and "E" string. A good way to remember their order is the saying - "Good Dogs Always Eat". Or you can make up an acronym of your own. Each string must be tuned to what is termed a "perfect fifth" pitch. When tuning a violin there are three things you must have - a good ear, a steady hand and patience. But most importantly you need something that sounds the perfect fifth in order to get your violin strings to mimic that sound.

There are many different types of tuners -- electronic, chromatic (which tunes with other instruments), tuning forks, a pitch pipe, even online and smart phone apps. Beginners should seek the help of their instructor in choosing the correct tuner to use. None are very expensive.

Tuning a violin is accomplished with two tools called pegs (i.e., string adjusters) and fine tuners. Each has a specific purpose in helping your violin strings getting in tune. Most of the time, the pegs are used first if that particular string is more than a half-note out of sync with the note produced by the tuner. The fine tuner is called that because it simply fine tunes the string's sound which is less than half a note out of sync by tweaking it ever so slightly until the perfect matched sound is achieved.

Violin strings are not all equal. Each one, if you look closely, is a bit thicker or thinner than the ones next to it. The G string is the most durable of the four, where as E string is the most delicate. You should begin with the most durable, i.e., the G string first.

Always tighten the four strings in sync with each other. If you tighten only one string at a time, it will place a skewed amount of pressure on the bridge, which is the little wooden comb at the base of the head which separates the strings. The proper way is to use a peg to tighten each string until it is within a note of the tuner, then do the same again for each string until it is within a half-note of the tuner's perfect fifth sound. From there you can carefully fine tune the strings with, you guessed it, the fine tuner.

Keep in mind that the violin's bridge is not secured. The violin's bridge is purposely designed to shift with the tension of the strings. That helps them produce a better tone. The most important thing is keeping the bridge at a perpendicular angle to the head of the violin the whole time you are tuning a violin. If the pressure applied while tuning causes the bridge to slip, very gently push it back into an upright position.

At close examination, the pegs are not uniform. They are slightly tapered at one end. This is so the peg can put the right amount of pressure on the strong you are tuning without slipping. Once again, only use the pegs until you believe you are within a half-note of the correct pitch, then switch to the fine tuner.

Use caution with applying the fine tuner. The main purpose for the peg is id you applied that much pressure with a fine tuner it would leave and indentation in the violin head. What if you can't tighten string with the fine tuner any further but still feel your string is not in perfect pitch? Simply loosen the fine tuner and again try the peg.

When it comes to tuning a violin, patience really is a virtue. Even if you think the strings are just a hair out of tune, get in the habit of using the pegs first before the fine tuners, all the while ensuring the bridge remains at a 90 degree angle. It takes time and practice, but eventually tuning a violin will seem almost an automatic action.

My name is Benjy Portnoy, and ViolinLessonsNow.com is a website that I set up to help people learn how to play violin. I first picked up the violin in third grade (many years ago), and it helped spurred my endless love for all types of music ever since.

In making this site, I'm hoping to share that spark and passion for music with players of all ages. The goal of this site is to help anybody - female or male, young or old to learn more about this seminal instrument and start down the path of becoming a solid player with good habits. Get great tools and free tips on learning the violin, including a no-cost, 7-day mini-course: http://www.violinlessonsnow.com/tuning-a-violin/

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1 Easy Way to Stop Spending Thousands on Recording Gear (And Make Great Sounding Records)

Ok, I love toys. Gear of all kinds. From my smart phone to the Mojave Audio tube condenser microphone I use in my project studio. Gear is fun! I love walking into new studios and checking out what gear they have. Pre-amps, compressors, all of it. But, there's a downside too. Keeping up.

One of the most difficult things about having recording equipment these days is the feeling that you must always keep up and keep buying more. Keeping up with software versions, more plug-ins, more outboard gear...... it can get crazy. All we really want to do is make things sound good, right? There have been times when I searched in vain for the one magic plug-in that would make all my tracks sound better. We all know that having good gear helps, and these days you can make some really good low cost buys when it comes to microphones, pre-amps, etc., and so many of us are working entirely "inside the box", that there are plug-ins galore available for all manner of signal processing, but gear isn't everything. If your recordings don't quite sound the way you want them to, it may be time to stop dumping all that money into gear and focus your attention on a tool you already have. One tool that all of us have but many people don't take the time to really learn how to use. Our ears.

Have you ever really thought about training your ears? If you went to music school, you might have taken ear training classes, but that's not what I'm talking about. Formal ear training can be invaluable for musicians, audio engineers and producers alike, but what about training your ears to do the job your using them for? What about spending some time really working to know what you want to hear when you are recording music. Any music. Yours, someone else's. It's funny, I have found in my own experience that it's often more difficult for me to clue into what I want my own music to sound like than when I'm producing another artist. Do you really know what you want to hear when you take on a recording project? Even something as simple as a song demo? More important, do you know how to translate what you want to hear onto the recording itself and recognize when you have it?

These are learnable skills. It takes some time, just like learning the ins and outs of your gear, but it's not rocket surgery. In the world of audio recording and technology, we spend so much time focusing our attention on the gear. Thankfully we have loads of great gear in the world! Even though I love it, all the gear talk can get a bit tedious after awhile. After all, its about music and what we hear and hopefully feel when we listen to it. That's all that matters. So maybe it's time to shift focus. To stop spending so much time and money acquiring toys and the skills to use them and to start more effectively using the tools we already have. Time to improve our skills with the most important piece of gear that any musician, engineer or producer has..... our ears.

Bill Small is a touring musician, producer and coach living in Austin,TX and author of "Use Your Ears," "The Essential Guide to the Non-Tech Sid of Recording." http://www.billsmallmusic.com/useyourears

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